Poetry

reviews

"'Who is more of an outlaw than a saint?'" one of Luis Urrea's characters poses. The answer is this ferocious, ribald romance of the border. Jaunty, bawdy, gritty, sweet, Queen of America has a bottomless comic energy and a heart large enough to accept-even revel in-all of human folly."

Stewart O'Nan
Author "Emily, Alone," "Songs for the Missing

Each scene in Queen of America unfurls gracefully like delicate wisps of smoke. Whether Teresita is being held captive in Northern California by a band of profiteering medical professionals, or being feted like a queen in New York’s social circles, this epic novel paints a portrait of America—and its inhabitants—with grace and style. It will spark fire in readers’ hearts.

Book Page

Urrea is a poetic writer who draws strong characters and wears his literary compassion on his sleeve, and he uses all of his gifts to full advantage here.

Publisher's Weekly

Urrea delivers a rich mix of Wild West and magic realism.

Publishers Weekly

An award-winning poet, fiction writer and essayist, Urrea should be required reading for anyone living in the Southwest. Pure Urrea means being part Mexican, part Indian and part gringo. Reading his work means getting lost in stories that have both fable-like romance and visceral hopelessness, in voices that shift beautifully from sharp and quick-witted to meditative and soft.

Seth Taylor
San Diego Union Tribune

Mixing religious mysticism, a panoramic view of history, a Dickensian cast of minor characters, low comedy and political breast-beating, Urrea’s sprawling yet minutely detailed saga both awes and exhausts. 

Kirkus Reviews

A magnificent work of literary alchemy, so masterfully infused with myth and history, you will feel these characters in your heart, your gut. You will grieve for their immortal souls.

Jamie Ford
Author, "Hotel on the Corner of Bitter and Sweet"

In this collection of short stories, the author takes the reader on a roadtrip vaster than Jack Kerouac and Hunter Thompsons',  physical countries, but also broad internal nations of the psyche.

Gabrielle Shaw
ForeWord Magazine

STARRED REVIEW: Fiercely romantic and at times heart­breaking but also full of humor, Urrea’s latest novel blends fairy tale, Western adventure, folk tale, and historical drama. Fans of Hummingbird and readers new to Urrea’s work will surely enjoy this magnificent, epic novel.

Library Journal

Twenty years in the making, Urrea's epic novel recounts the true story of his great-aunt Teresita. In 1873, amid the political turbulence of General Porfirio Díaz's Mexican republic, Teresita is born to a fourteen-year-old Indian girl, "mounted and forgotten" by her white master. Don Tomàs Urrea later takes his illegitimate daughter into his home, where she learns to bathe every week and read "Las Hermanas Brontë." But Teresita also continues a folk education as a curandera, discovering healing powers and a mystical relationship with God. Indian pilgrims swarm to the Urrea ranch, where "St. Teresita," a mestiza Joan of Arc, kindles in them a powerful faith in God and a perilous hunger for revolution. The novel brings to life not only the deeply pious figure whom Díaz himself dubbed "the Most Dangerous Girl in Mexico" but also the blood-soaked landscape of pre-revolutionary Mexico.

The New Yorker

Take a walk on the dead side. The largest folk movement in human history is taking place on the U.S./Mexican border. Nobody talks about it. This exodus is the result of the failure of the U.S. and Mexico as nations. Nobody talks about it. This slaughter house fries and mangles at least 400 people a year. Nobody talks about it. The Devil's Highway is coming to Main Street. Open your ears and eyes, wash the blood over your hands and read Luis Urrea. We gotta talk. Now.

Charles Bowden
Author of Down by the River

The six stories in Urrea's new collection vary widely (in length, mood, and setting, just for starters) but his prose is singular and unmistakable. Short, direct sentences and pitch-perfect dialogue build into original studies of passion or restlessness or mischief, one detail at a time.

San Francisco Chronicle

The Tijuana Book of the Dead

Put together largely in response to the book bannings and abolition of Mexican-American studies in Arizona and as a cry against the current political climate for immigrants, this is Urrea's first book of p

Vatos

Photography. Poetry. Latino/Latina Studies. Vatos is a tribute to Chicano men — to Latino men, to all men everywhere — created out of love by two of their kind.

Ghost Sickness: A Book of Poems

Poetry from Western States Book Award winner.

The Fever of Being

The Fever of Being is a series of poems, some written entirely or partly in Spanish, ranging in mood from comic to tragic and dealing with Urrea's life within the Hispanic-Anglo border culture.